Where’s First Draft?First Draft by Tim Porter, my blog on quality journalism, is archived here.
Buy My Book
Organic Marin, Recipes from Land to Table: Photographs, stories and recipes from organic farmers of Marin County and the restaurants that support them. Buy it here from Amazon.
My Art, Your Walls
Where to find my pictures
See My Portfolio
TagsBaseball Brad Will Buck Institute Canal Canal Alliance College of Marin D3 David Hobby David Pogue Digital Journalist Fairfax Fran Ortiz Golden Gate Bridge Joe McNally Journalism Larkspur Magnum Marin Marin County Marin Magazine Mary Ellen Mark Mexico Mill Valley Mission Newspapers New York Times Nikon Novato Oaxaca Open studios organic Organic Marin Photography Photojournalism Point Reyes Station Salon San Francisco San Rafael Sausalito SB800 Scott Kelby Strobist The Image Flow Tiburon West Marin
Tag Archives: Marin
A few months ago, I interviewed and photographed a cheery, avuncular, 70-year-old doctor named James Simon (below) who was the flight surgeon at a small airfield in Marin, Gnoss Field in Novato.
Today, Dr. Simon found himself on the front page of the local paper, the Marin Independent Journal, as the lead character in a tale of what police said was road rage gone bad.
Simon was arrested after allegedly shooting a man who had followed him and his wife home in Corte Madera after some sort of altercation on Paradise Drive, a two-lane, tree-lined road that leads to some of Marin’s tonier homes..
The victim, whose name was not released, apparently tried to drive into the Simon’s garage as he was closing the door. According to police, Simon went in his home, returned with a .357 magnum, fired a warning shot into the air and then two bullets into the victim’s abdomen.
The victim survived, Simon was arrested and we await the story behind the story.
Corte Madera Mayor Michael Lappert, a reserve cop and one of the first officers on the scene (and coincidentally a one-time patient of Simon’s), summed it up:
“It’s a bad thing all around. If there’s anything to learn from this, it’s that road rage can only have a bad ending.”
(Here’s the Marin Magazine piece I did on Simon).
Not all psychics are alike. But then some of you already knew that, didn’t you? It was a lesson I learned when I recently photographed several psychics and tarot card readers — they prefer the term “intuitives” — for Marin Magazine.
When I got the assignment, I was thinking flowing robes, lots of jewelry, candles, you know, exotic. Except for Jetara Sehart, below, who does tarot readings under the name of Angel Counsel and certainly looks the part (complete with crystal ball), that’s not what I found.
Then there was Zorica Gojkovic, above, who has a Ph.D. in English, provides counseling under the name The Time of Light, and loves to read mysteries and Westerns when she’s not gazing into the future. Zorica looked like my Aunt Helen, as “normal” as could be. I did my best to add a bit of mystery to her with the photo (which is not the one the magazine used).
Here’s the story. Take a look.
I dropped by the Marin County Board of Supervisors yesterday to photograph the newest board member, Katie Rice, for Marin Magazine. After I made the pictures I needed of her, I hung around to take in some of a contentious hearing on a countywide affordable housing plan.
There’s no need to go into details about the plan here (much ink and many pixels have been devoted to it), but the debate struck me as a common one — a liberal plea for housing for residents and workers who aren’t hedge fund managers or lawyers vs. a NIMBY-esque argument that low-cost, high-density housing would mean more traffic, not enough tax revenue from the news residents to support local services and environmental dangers.
The crowd — on both sides — didn’t fit the Marin stereotypes. There were no yoga pants, few facelifts and more than several walkers. It was not the haves vs. the have-nots. It was the have-less vs. the have-no-so-much. Those who feared the new housing lived in Marin’s more middle-class neighborhoods — Marinwood, Tam Valley and Strawberry (well, not so middle-class for the latter). Those who argued for it lived in those locales as well, but also in Marin City and Hamilton.
For me, it was a chance to put faces on an abstract argument, which is always a reminder that all these policy debates in the end effect the lives of real people.
The meeting opened on a high note — several of them actually — with an a capella song about “there’s a lot of love in Marin” by local sax player and singer Richard Howell. That was the last sign of love for the afternoon.
There was no vote. That’s scheduled for next week. (More photos here).
Located on what was a vacant quarter-acre of city land where the butt end of Bellam Boulevard collides with the salt marsh separating San Rafael from the Bay, the garden represents a successful collaboration between the Canal Alliance, the Trust for Public Land, local government and a clutch of private donors and volunteers. (Marin IJ story.)
With 92 plots of soil, a modern greenhouse and a composting complex, the garden gives its urban farmers the chance to bring fresh, local, organic food to one of Marin’s poorest neighborhoods. But more than that, it does what all farms do: Promises that today’s effort will bring tomorrow’s harvest — a message of inherent hope in a community where life is challenging.
Farming is always an investment in the future. The soil, the seed, the crops, the weather, all are unknowns that the farmer — whether in Iowa or Marin — must cope with and curate through the season, believing that work, nature and a bit a luck will fulfill the cycle of land to table.
There is dignity in the dirt. Weathered skin, encrusted fingernails and achy backs are badges of honor. Thanks to the Canal Community Garden more of us will have an opportunity to wear them.
(Here’s my post from last November, when volunteers were installing the mosaic centerpiece for the garden.)
Many of us are pigs. Sadly. We toss our plastic bottles, takeout containers and other trash out of our cars, inconsiderate of the environmental damage it does, the aesthetic blight it causes and the cost to to clean it up.
I spent some time walking a section of U.S. Highway 101 in Marin County with a crew from the Conservation Corps North Bay (CCNB) for a story in Marin Magazine about how, even in the wealthiest of the Bay Area’s counties, motorists use public roadways as their private dumping grounds.
The CCNB crews consist of young men and women who were born into challenging lives and, with the help of the Corps and the sweat of their brows, are turning them around.
Next time you’re about to dump your double-decaf-mocha-grande cup out of the car window, think about who has to clean up your mess.
A longtime friend who works for the U.N. is on break from her duties in South Sudan and enjoying the verdant wonders of West Marin while ranch-sitting in Chileno Valley. The other day, she invited us out for an afternoon of hiking, chores and chili.
The day was sunny, the air crisp and the chili chunky with grass-fed Angus beef raised in pastures that straddled Chileno Valley Road.
I took a few snaps during the walk, which you can see below. The most memorable scene of the day eluded my camera, though — a newborn calf, still slick from the wetness of its mother’s womb, unsteadily testing its earth-legs for the first time as mama cow munched nearby on a post-partum snack of winter grass. They were too far, the sun was too low and my lens was too wide to record the scene digitally, but I have it my head, an unforgettable image of the continuity of life.
I love Christmas lights. What’s outside a house during the holidays says a lot about who’s inside. Are they garish? Tasteful? Excessive? Subdued? Artistic? Do their lights have a message? Something religious, something commercial or maybe just: “Peace.”
Last December I photographed dozens of homes, houseboats, trees and yards in Marin County festooned with lights, mechanical Santas and inflated snowmen. Some, such as the single peace sign on a driveway gate, made me wistful. Others, such at the Mill Valley home above, made me marvel at the creativity of its decorators. And a few, such as a Mill Valley waterfront home ablaze with thousands of lights (see the slideshow) made me wonder about sanity of the people who lived there. (They turned out to be a wonderful older couple — here’s their story.)
Marin Magazine collected a dozen or so of the shots and ran them in the December issue. Here’s the layout.
Merry Christmas, all.
Far out on the edge of the Canal, past the blocks crammed corner-to-corner with parked cars, beyond the rows of sagging apartment houses packed with immigrants, on the other side of the new Mi Pueblo grocery, where Mexicans and Guatemalans and Salvordorans shop for sheets of chicharron, fat plugs of quesillo and other foods that make home seem less distant, far the from busy intersection where broad-backed men line up for day labor, not near any of those things, but on the long, low flat of fill that stretches to the Bay and one day will hold some brand of box store if the city fathers have their way but for today, at least, sits empty, they’re building a garden.
The Canal Community Garden, located on a quarter-acre of city land at Bellam Boulevard and Windward Way, is an array of 5-foot-by-10-foot, redwood-rimmed beds that, come next year, will abound with organic, herbs, fruits, vegetables and flowers, each plot the labor of someone whose desire to extract bounty from the land overcame the unlikelihood that they’d ever be able to do it in a place as infertile as the Canal.
Work on the garden began in September. Seeds go in the soil in February. When the first harvest comes, the urban farmers and gardeners of the Canal should thank The Trust for Public Land and the Canal Alliance for making it happen.
I was there on Saturday, talking with a Philip Vitale of the Trust for Public Land, the project manager. He filled me in: a budget of more than $600,000; 92 garden plots of various sizes; a greenhouse for sprouting; a storage shed with lockers; a central space for classes and education; and, centering it all, a circular mosaic celebrating the overlap of art, food and community.
The mosaic came together while I watched. Oakland artist Rachel Rodi, the designer, and a half-dozen other women worked shoulder-to-should around a rectangular table, cutting sheets of blue, purple and green tile into shards of many shapes, laying beads of glue on the pieces and inserting them into the unfinished mosaic. It was a jigsaw puzzle with a twist: There were no pieces until someone made them.
The Canal Community Garden is the successor to one that was lost to the expansion of the Pickleweed Community Center in 2005. Since then, said Vitale, The Trust for Public Land has worked on a replacement. Partnering with the Canal Alliance, the neighborhood’s primary social service and advocacy organization, was key to the success of the project and ensures ongoing management of the garden, he said.
Daniel Werner, an AmeriCorps VISTA staffer on loan to Canal Alliance, is the garden coordinator. (To learn more about the garden or to apply for a plot, contact Werner at firstname.lastname@example.org, 415-306-0428.
I showed up at the garden on Saturday to scratch an itch, one that’s festered in the years I’ve been out newspaper journalism — a desire to feel the connection to community I felt when I first fell into photojournalism and, then, reporting.
As many did, I wandered into journalism by accident, but once there found enchantment and intrigue in the stories of ordinary people. I began as a photographer and loved capturing the faces of people with the camera. When I started writing, I became addicted to the interview, the act of questioning and asking why and how and who. I was nosy and I guess was needy and the conversation satisfied both.
Eventually, I let many of those things slip away. I managed people instead of photographing them. I wrote memos instead of stories. I looked far ahead and missed what was in front of me. I’d succeeded in the business of journalism, but I’d stopped honoring the passion that brought me to it in the first place.
Now, I’m, if not wiser, certainly older. I don’t confuse ambition with passion any longer. I recognize the difference between what I must do and what I love to do. I admire more the great storytellers, visual and written, and the work they do to bring those stories to us. And, perhaps with some regret – because we all have just a little, don’t we? – I wish I had made more of an effort to become one of them.
I didn’t, though, so I do this – stop by an empty city lot on a cold fall afternoon to meet a group of good-minded people who are building a garden, an enterprise that enriches the neighborhood, elevates the common welfare and rewards them with the individual satisfaction. I take some pictures, I ask a few questions, I find a small story and I share it. It is journalism with the smallest “J” possible. Not hard-hitting. Not world-changing. Not much of anything really other than a thin slice of truth, a small dollop of daily life, and a healthy reminder to myself that this is who I once was – and who I can be again.
Immigration is not an abstraction. Beyond the policy debate and political posturing are real people who make their way to the United States in search of opportunity, their bodies ready to work, their minds intent on success and their hearts filled with dreams of better lives for their children.
Four years ago, I spoke with some of those children, boys and girls — sons and daughters of immigrants from Mexico and Central America — enrolled in a Canal Alliance education program about their future. Their stories and their pictures ran in Marin Magazine under the headline “Sueños de Niños,” dreams of children. Recently, I talked with six of them again, all young women now, some in high school, some in college, one already a mother. Their dreams have changed and so have they.
Here are their stories from 2012.
Here are their stories from 2008.
The photos below are from this year. Inset into each is the photo from 2008.
On April 14 the Low Speed Chase, a 38-foot yacht named after the infamous televised police pursuit of O.J. Simpson, set off from San Francisco Bay for the Farallones Islands, a jagged outcropping of rock 27 miles out in the Pacific, as part of the annual Full Crew Farallones Race, an and out-and-back competition known to test the skills of even the most experienced sailors.
Eight souls were aboard the Low Speed Chase. Three returned to shore alive. The death of the other five crew members — one of the worse U.S. yachting tragedies — and the confluence of massive seas and miniscule course miscalculations that led to the foundering of the Low Speed Chase is well documented. (See a video of ocean conditions at the time). What was originally missing were the personal stories of those who survived, plucked from the sea and the shoals of the Farallones to sail another day.
That gap was filled in part by Bryan Chong, one of the three survivors. The 38-year-old Tiburon father and tech company vice president first told his story to Latitude 38, the voice of the Bay Area yachting community, and later, more extensively, to writer Jennifer Woodlief, an investigative sports reporter, author and former Sports Illustrated scribe.
Woodlief, who also lives in Tiburon, used Chong’s account at the heart of her 6,000-word accounting of the tragedy, which Marin Magazine published in two parts in its October and November 2012 issues. (Part 1, Part 2).
I acted as photo editor on the story, getting shots made by San Francisco Chronicle photographer Brant Ward from Polaris, by the U.S. Coast Guard and by Sophie Webb, a Farallones researcher who was on the island and witnessed the Coast Guard Rescue of the survivors.
I also photographed Chong on a gray, damp August morning at the San Francisco Yacht Club in Belvedere, making the photo you see here. Woodlief, who was very pregnant at the time with her fourth child, wrangled a light-stand for me as we all stood on the wobbly dock.
In the 30 minutes we were together, Chong was relaxed and at ease. We didn’t talk about crash. I didn’t ask him what thoughts were in his head when he was in awash in the ocean. Woodlief did, though, and here is part of her account:
“Bryan experience the the helpless sensation of losing his breath while accidentally swallowing mouthfuls of water. He thought about giving up, he thought about his wife and baby son. … Time after time Bryan pulled himself up to safety just as waves pitched over him and hurled him backward, locking him underwater. ‘It was so steep and the waves kept hitting me,’ he says. ‘It was a constant struggle to get on the rocks.’
Read the whole story.
Sweetwater, the resurrected music club in downtown Mill Valley, was its usual early evening scene — a Lululemon-clad smattering of late lunchers lingering in the outside patio, handsome families arriving for early dinners, clogging the entrance with strollers and dogs, and aging hipsters making their daily migration up the block from Peet’s as they transitioned their intake from caffeine to booze.
I was there to photograph John Goddard, who for 40 years was the proprietor of Village Music, the revered record store that closed a few years back, victim of Mill Valley’s morph from hippie haven to hedge fund heaven and, some say, last remaining vestige of a Marin County better known for its creative spirit than its stratospheric housing prices. John was coming with Monroe and Gillian Grisman, brother and sister, children of mandolinist (and Jerry Garcia collaborator) David Grisman, and makers of Village Music: Last of the Great Music Stores, a film that would debut at the Mill Valley Film Festival and about which Dan Jewett of Marin Magazine was writing a story.
I’d hoped to photograph the three of them on the patio with Sweetwater in the background. One look at the crowd told me that wasn’t going to happen. At minimum, an unfortunate incident with a weak-bladdered Golden Retriever a couple of years ago taught me never to leave lighting gear exposed in the presence of dogs.
Inside the front door, though,wrapping along one wall of Sweetwater’s small cafe, was a yellow banquette, its leatherette shiny and bright against the building’s red brick wall. There, in the corner, beneath a window was my spot.
Another lesson I’ve learned: Don’t ask permission. I told the hostess — politely — what I was doing and brought in a pack, a stand and a light, moved some tables out of the way, did a test shot and was ready in a couple of minutes.
Goddard and the Grismans showed shortly thereafter. Everyone knew them, so it took me a while to get them inside. I wanted to get this done because folks were filling the tables and I was losing my shooting space (and probably the patience of the waitresses).
Once they were seated, it went quickly. I made some safe shots first — as I always do to ensure I’ve got something — and then played with the window above them, changed lenses to the 17, climbed on a chair and made a few frames from above. My clambering either amused or frightened my subjects. I’m not sure which. But it resulted in this frame, my favorite from the day.
(Here’s the shot that ran in the magazine.)
I just voted and am feeling more American than usual. To spread the democratic spirit — and to inspire your apathetic keister up off the couch if hasn’t voted yet — I offer this collection of stars and stripes, which I shot for Marin Magazine for its July issue.
You may be surprised, as I was, by how widely the flag is displayed here in one of the nation’s most notoriously liberal counties, although truthfully its does fly more frequently in the cul-de-sacs of surburban Novato and than in redwood canyons of hipster Mill Valley.
Flags are symbols, interpreted differently by each of us. For some the American flag signifies liberty, for others oppression. Four years ago, Barack Obama used its colors to communicate hope. This election, Mitt Romney wrapped his opposition in it.
In its earliest iterations the American flag represented individual freedom and collective self-determination. Freedom is now a politically charged word, hijacked by conservatives who wield it as a cudgel against those who question their values and sneered at by liberals who dismiss it as the refuge of small minds.
On this day, when we vote, something so many of the world’s people can’t do in a meaningful way, let’s embrace the flag as a symbol of opportunity — to make a choice, to live as we please, to speak our minds — something I hope we can all agree upon.
Now that we’re one day shy of the first day of Fall, I’m getting around to sharing some of the photos I made this Summer — and this is one of my favorites: Vivienne Harr, an 8-year-old Fairfax girl who set up a lemonade stand in a local park and with the help of her social media savvy dad, Eric Harr, has raised more than $30,000 (and counting) to combat child slavery.
Vivienne has drawn plenty of media attention. She’s as cute as they come, her organic mint-infused lemonade is tart and tasty, and her story is a compelling one: A photograph of two Nepalese children carrying heavy slabs of rock, taken by Marin photographer Lisa Kristine in her book Slavery, inspired young Vivienne to do something. She launched a web site (makeastandlemonade.com), opened her stand in Doc Edgar Park in Fairfax and set a goal of taking in $150,000 to be donated to Not For Sale, a anti-slavery organization. (How terrible is it that as this point of human history there is even a need for an “anti-slavery” group?)
One of the shots I made ran with this short feature in Marin Magazine.
Hey, Tim, I’m often asked, what’s the secret to killer lighting? (Really, it happens all the time).
They’re thinking I’m going to say expensive Swedish strobes (got ‘em) or compact, go-anywhere Nikon speedlights (got those, too) or even a hand-painted, Avedonish backdrop like Annie uses (don’t have that).
Wrong. Wrong. And wronger.
What I tell them is this: The secret to killer lighting is a stand-in — someone to be in front of the camera while you fiddle with the power or feather the softbox or pile sandbags on the stands because you’re doing an outdoor shoot in gale-force winds.
Sometimes the stand-in can be an assistant, someone you’re actually paying, such as photographer John Truong, left, posing with the Lark Theater behind him in preparation for a shot of the movie-house’s owner (here’s the final shot).
Other times the stand-in might be a writer you’re on assignment with, such as Nate Seltenrich of Oakland, above, who occupied the velvet couch for me inside Terrapin Crossroads in San Rafael while we waited for Grateful Dead bassist Phil Lesh and his wife, Jill. (Writers are generally less thrilled about standing in than assistants.)
Oftentimes, the stand-in might be a somewhat reluctant PR person (whom I won’t show for fear of losing future favor) or and even more reluctant spouse (ditto).
Who the stand-in is really doesn’t matter as long as they have the patience to hang in there until you get the lighting just right — that is, killer — so when the actual subject shows up (often someone with no patience whatsoever) you can make his or her picture straight off just like the professional you are.
The San Rafael Pacifics, an independent minor league baseball team, played its first game last night. I was on hand at Albert Park in downtown San Rafael.
I needed a picture for Marin Magazine, but since it was for the August issue so I wanted something from the scene and not from the action — and there was plenty of both — a couple of home runs from the home team, a duck mascot (Sir Francis the Drake), seats on the field, kids and families galore and a kitschy character singing the national anthem, Bud E. Luv (above).
The idea to renovate the old ball park (which seats 800) and use it for a summer baseball league was controversial. Neighbors worried about traffic, noise and rowdy fans. My studio is a block from the stadium, so I understood their concerns.
Based on what I saw last night, though, those worries were baseless. Parking was easy, the crowd was chill and despite a few opening day glitches (announcer Will Durst bowing out at the last minute, for example) all was under control.
I recommend a visit. The baseball is fun, the stadium is beyond intimate and the dogs are as good as those at AT&T. Now I want to go back and shoot some baseball.
Winter didn’t come to Marin until Spring had already arrived. Barely a week into the new season, the rain is playing catchup, greening the pastures of the west county, soaking the marshland along the Bay, and dowsing the slopes of Mt. Tam with more than enough fresh water to fill the gullies with gushing streams, babbling brooks and carousing cascades of white water.
it’s good weather for a walk, a good time to carry a tripod into the hills, and just the right moment to straddle a stream — carefully now — and point that big, black camera down at the froth below.
This little rivulet is one of hundreds available for instant view right now on Mt. Tam. You can find this one, if you choose, on the Dawn Falls Trail above Ross. Enjoy.
Put 10 or 12 people in a dark coffee shop, add in a freelance writer, a magazine editor, a roomful of customers and a couple of homeless people in the back, and you’ve got a scene.
I show up with a big light, a step ladder and a lot of attitude, hoping I can herd all these cats in front of the camera long enough to make something to illustrate a story about Marin’s twitterati. Yep, this is a tweet-up and these are the tweeps of Marin.
I’d rather photograph 10 kids than 10 adults. The kids will pay attention to me, out of fear or curiosity or the simple habit of listening to adults, but the grown-ups won’t stay focused for more than 10 seconds at time. They chit-chat, they get bored, they fuss. And when you throw in the cell-phone-in-your-hand factor, they check email, texts and tweets.
That all means that this kind of shot is lot of fun. As I shot away using almost ridiculous exposures — 1 or 2 seconds to burn in the ambient light while hitting them with the strobe — there was lots of joking, which I pretended wasn’t directed at me. Hey, they were laughing with me, right?
The group shot was done in five minutes, but the editor also wanted some casual, non-posed shots, so I gathered several of the tweeps together in a “non-pose,” moved the light in above them, put the 17mm on the camera and encouraged them to act it up as I shot. They did. And I did. The result is the vertical shot you see here, which ran full page in Marin Magazine as a section opener.
Thanks to Mimi Towle (@mimitowle) for organizing it and the tweeps: Sally Kuhlman (@Sally_K), Sarah Houghton (@TheLib), Suzanna Stinnett (@Brainmaker), Maria Benet (@Alembic), Toni Carreiro (@toniCarr) and Marilyn LoRusso (@fun_master).
And I’m @timporterphoto.
I wrote and photographed a piece for the current issue of Marin Magazine about the projected effects of climate change, most specifically sea-level rise, on Marin County.
Marin, like much of the San Francisco Bay Area and other parts of California, faces a wetter future. If current temperature and sea level trends continue through the century, routine tides could be as much as 55 inches higher than they are today and even higher during storm surges.
Imagine the affect of four-and-a-half feet more water on coastal communities such as Mill Valley, where today’s highest tides already flood city streets, marshes and recreation areas. The bike rider above is crossing Bothin Marsh between Mill Valley and Sausalito, which is already inundated several times a month by winter tides.
If what scientists predict comes to pass — and some form of it will despite all of today’s “green” mitigation efforts — rising seas are going to change the way we live and extract severe financial and social costs.
Here is the opening section. The rest is below the jump (or here online).
Rising Seas: Marin prepares for a wetter, warmer future
On the winter days when the monthly tides are highest, you can stand on the narrow, asphalt ribbon of the bike path that traverses Bothin Marsh in Mill Valley and watch the water of Richardson Bay climb over the man-made banks and rise slowly, inexorably, until its cold wetness reaches your shins. You are no longer on dry land. You are in the middle of the bay.
Flash forward to the year 2100. The earth has had 88 more years to warm up, and the seas have been rising a little more every year. Your grandkids stand in that same place on the marsh and wait for high tide. When it comes, the water flows over their heads.
That’s climate change. That’s the threat Marin County faces — higher seas, bigger tides and stronger waves that could drown the marshlands of Mill Valley and Novato, flood neighborhoods built on reclaimed land in Tam Valley, Santa Venetia and Hamilton, and erode the coastal bluffs of Bolinas.
The mess that rising seas could make of Marin is but a small part of the larger challenge climate change presents to the planet. But this story is not about the global effort to regulate carbon emissions, not about the national yammering of politicians, preachers and scientific professionals about why the earth is warming (is it man, is it nature, is it a vengeful God delivering payback for our profligate ways?), and not about whether the earth is in fact getting warmer. The mercury is rising and the oceans along with it.
This story is about Marin County and how a lot of people here are trying to make sure that come the day when the waters of San Francisco Bay — which have already risen 8 inches in the last century — are lapping at the doorsteps of homes and businesses now hundreds of feet from shore, that the inhabitants of that warmer, wetter future do not ask of our generation: Why didn’t they do something?
You’ve got cancer. You’ve got several bags of toxic chemicals connected to your body, hoping the chemo kills the tumors. Or, you’re lying beneath a huge X-ray machine, whose beams are burning the cancer out of you. In the middle of this a photographer approaches and asks if he can take your picture.
Why not? you think, so you say yes. He does, and a few weeks later there you are in a local magazine illustrating a story about the hospital where you’re being treated.
This is much of what I do — enter other people’s lives just long enough to tell a story (or, more accurately, a small moment of a story). I’m always surprised and forever in debt to those who grant me entrance, even when their lives might not be going particularly well in one way or another.
The inside-out view of CT scan machine above and the strip of photos below were part of a story in Marin Magazine about the Marin Cancer Institute and its director, Dr. Francine Halberg, who is shown below talking with colleagues.
One of the things I miss about journalism is the serendipity of encountering people who, through their strength of character in the face of adversity, remind me of my own good fortune. It’s called perspective, and you can never have too much of it.
For the current issue of Marin Magazine I had the opportunity to photograph a number of people — and write about a couple of them – who have benefited from the kindness of others in their journeys to overcome life’s adversities.
The most moving of these moments occurred when I met the people you see here — Tina and Bill Noble, above, and Tina Hick and her son, Indie, left. All of them are dealing with loss, one in a very intimate way and the other in tragically public manner.
Tina Noble is only 60 and in the latter stages of Alzheimer’s, which she was diagnosed with five years ago. Bill, her husband of nearly four decades, cares for her in their San Anselmo home. Hers is a life of diminishing capacity; his is one of increasing devotion. It is a poignant equation. After I photographed them on their living room couch, I sat in my car and cried. How many of us are capable of the unqualified love Bill demonstrates daily toward Tina? Am I? Are you?
Tika Hick’s story is more public. A virulent cancer had attacked her. In July, a week before she was to undergo a double mastectomy, she traveled to Maui with her partner, David Potts, and their infant son, Indigo. In a horrific accident, Potts was sucked into a blowhole, dragged out to sea and never seen again. Now, Hick’s life is one of tenuous recovery, one so emotionally fragile that even the presence of a photographer in her small garden can fuel the sadness and bring more tears.
Sad stories, indeed, but also hopeful ones because within them are other stories of kindness, of organizations like Senior Access that benefit couples like the Nobles and of personal giving that supports someone like Tika Hick.
In addition to the Nobles and Hick I photographed four other people. You can see their photos below. Here are summaries of their stories and the organizations that helped them:
* Stephen Levine, who turned to Hospice by The Bay in Marin County when his wife of 24 years, Pam, was dying.
* Pashia Lord, a Marin City mom who found a positive direction through the Performing Stars of Marin arts group.
* Sheldon Playdle, a San Luis Obispo college student (and possible future bio-tech executive) whose path to higher education was paved in part by 10,000 Degrees.
Here’s the full package in Marin Magazine. My test on Tina and Bill Noble follows:
“Why did I get Alzheimer’s? Why me? And how did I get it? I’m so young—just fifty-five.”
Tina Noble wrote those words five years ago, just after being diagnosed with Alzheimer’s. Today, the former college professor with a Ph.D. in anthropology lives under the 24-hour care of her husband of nearly 40 years, Bill, a retired naturalist.
When Tina does leave the couple’s San Anselmo home, it’s usually to spend the day at The Club, a Senior Access program for people with memory impairment.
“It’s a beautiful place way up on top of the hills in Terra Linda. Sunny. Open,” says Bill. “There is a school next door so there’s the wonderful chatter of young kids all the time. There are lots of interns and aides and resource people. They do everything from elder yoga to having performers of various kinds come in. It’s delightful.”
More than 5 million Americans have Alzheimer’s and nearly 15 million others perform roles like Bill Noble’s, caring for family or friends. Senior Access recently opened another day care center in Belvedere to meet the rising demand in Marin.
Bill and Tina’s daughter, Wren, a graduate student in photography, has been documenting her mother’s illness. You can see her pictures here.