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Tag Archives: Fairfax
Now that we’re one day shy of the first day of Fall, I’m getting around to sharing some of the photos I made this Summer — and this is one of my favorites: Vivienne Harr, an 8-year-old Fairfax girl who set up a lemonade stand in a local park and with the help of her social media savvy dad, Eric Harr, has raised more than $30,000 (and counting) to combat child slavery.
Vivienne has drawn plenty of media attention. She’s as cute as they come, her organic mint-infused lemonade is tart and tasty, and her story is a compelling one: A photograph of two Nepalese children carrying heavy slabs of rock, taken by Marin photographer Lisa Kristine in her book Slavery, inspired young Vivienne to do something. She launched a web site (makeastandlemonade.com), opened her stand in Doc Edgar Park in Fairfax and set a goal of taking in $150,000 to be donated to Not For Sale, a anti-slavery organization. (How terrible is it that as this point of human history there is even a need for an “anti-slavery” group?)
One of the shots I made ran with this short feature in Marin Magazine.
Lots of work this month with little time to write, but I want to share some of the images I made for the August issue of Marin Magazine and its annual Editors Choice awards. The package featured a perfect day in each Marin community, from Sausalito to Novato to Point Reyes Stations. I was fortunate enough to be able to photograph the entire series. Click on the image above for a quick slideshow (and a bit of California dreamin’ on this summer’s day.)
As always, my photos are for sale. If you just MUST have a print of the Novato or Fairfax theaters on your wall, or any of others from the series, visit my Pictopia gallery.
Thanks for looking.
As much as I don’t like politics, I confess that I do like politicians – in person, at least. One on one, pols of various stripes are among the smartest, most engaging people I’ve met while doing journalism. They’re articulate, their words are pointed, and they share the same off-center sense of humor that is found in most newsrooms.
Susan Kennedy, Gov. Arnold Schwarzenegger’s chief of staff, belongs in that group. I photographed her in her
When I got to her house the reporter was about 30 minutes into the interview. They were in a small office, big enough for her desk and two chairs. There was window on one side with a bench in it, and I immediately decided to use for a post-interview shot. The rest of the room was dark.
There was no space to set up an umbrella, so I decided to point a couple of snooted Speedlights at her, one from the long end of the office, the other from across her desk. I put one like on a stand, gelled it warm, super-clamped the other to the rim of the desk, and started shooting, squeezing my way around the reporter. (See an overview of the scene.)
About 10 frames in, the clamp popped off the desk and it and the strobe clattered to the floor. The upside was that it loosened us all up; the downside was the $100 repair bill.
I reset another strobe (didn’t you mother tell to always have a back-up?) on a stand, and began again.
I shot for about 10 minutes more, listening to them talk, working the angles. I liked the light. It was strong, but tight. Nonetheless, I was looking forward to getting her by the window for some softer light.
That wasn’t to be, though. Another five minutes and her phone rang (with the caller visible on the video-phone screen on her desk.). She was late for a meeting. By the time I stowed the gear, Kennedy was on the conference call.
The lesson of the day is one I learned early on – both as a photographer and as a reporter: As soon as you enter the room (or the event or the whatever), start working. It may be your only chance.