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Category Archives: Technology
Let’s get one thing clear: Writing is not publishing and publishing is not writing. To write is to transfer ideas from mind to words. To publish is to distribute those words to an audience.
To me, this is an important distinction, the difference between an act of creativity and a means of transportation. That’s why when someone refers to a piece of software or to an internet site as a “writing tool” I become perturbed.
That’s why I take issue with Medium – which I love as a reader – describing itself as “the best writing tool on the web” or when a Medium user calls it “a fantastic writing tool” or when Ev Williams, Medium’s CEO, says the company’s goal was to build “a great tool for writing.”
Sorry, folks, but Medium is not a writing tool. It is, as Medium itself proclaims, a “publishing platform for on the web — or anywhere — for words and pictures,” one “that started with the writing experience itself.”
The key words here are “publishing platform” and “writing experience.”
Digital publishing requires a distribution mechanism (software) and the one provided by Medium is certainly versatile and easy to use. Kudos for that.
Writing requires nothing other than a brain (some would argue even that is not a prerequisite) and a means to record the words. In that sense, a pencil is a “great writing tool.” As was the typewriter I used in my first reporting job and the IBM Selectric in the next one – both dropped words onto paper in rapid if sometimes erratic fashion, words that were then distributed by a “publishing platform” called a printing press.
Of course, publishing in the digital world is cheaper, quicker and – most importantly – more widely accessible than in my days as a reporter. Software and publishing platforms such WordPress and Medium and Twitter (and before that Blogger and Movable Type) removed the gatekeepers and opened the communication floodgates (for better and for worse).
Writing is the same, though. It’s still hard, it’s still difficult to get it right. The words still come out one at a time whether they’re landing on paper or on pixels. The language is the same, the rhythm as well. Occasional brilliant thoughts don’t change, nor do the more frequent clunkers.
So, thanks Medium for providing a beautiful means of sharing my thoughts, of publishing my writing and of interacting with a community of other writers and readers (all good things) — but whether I type those words (using my keyboard writing tool) into your lovely, clean interface they look they same as they do when I type them into a Word document or into WordPress window.
It’s been cold here in Marin — well, California cold, meaning below 40 at night. Yesterday, morning brought a crunchy layer of white frost over the deck, a coating, that with the cool-blue, pre-sunrise light, made for a nice picture.
The scene also illustrates a continuing issue with my D3, a camera I otherwise love. It vignettes most of my lenses when they are wide open and have a hood on them — which for me is often. This is shot with 28-70mm, 2.8 Nikon, a crispy sharp lens known as the Beast. At 2.8 with a hood, it vignettes on the D3, as does my 70-200mm VR (even without the hood) and my 17-35mm, 2.8. This didn’t happen with my D2Xs.
For this kind of shot, I don’t mind the vignette, but for editorial work — my bread and butter, it’s a pain and not something art directors want. I have to spend time Photoshopping it out. Any suggestions (other than switch to Canon or stop down?)
There’s a new technology out for point-and-shoot cameras (and no double some day soon fo DSLRs) that’s not going to make David Hobby very happy — it won’t snap the shutter until the subjects are smiling.
Yep, no grin, no grab.
Today’s Wall Street Journal (subscription only) has the story about FotoNation, the California company whose red-eye reduction technology took the the demon-from-Hell look out of millions of snapshots, and its new software that recognizes when a photo subject is not smiling or has her eyes closed.
It’s all too Stepford-like for me, but that sound you hear is the bar being lowered again — the one that’s squeezing the knowledge out of making a good image. Get ready for robo-camera.