On the Job: Arrested


A few months ago, I interviewed and photographed cheery, avuncular, 70-year-old doctor named James Simon (below) who was the flight surgeon at a small airfield in Marin, Gnoss Field in Novato.

Today, Dr. Simon found himself on the front page of the local paper, the Marin Independent Journal, as the lead character in a tale of what police said was road rage gone bad.

Simon was arrested after allegedly shooting a man who had followed him and his wife home in Corte Madera after some sort of altercation on Paradise Drive, a two-lane, tree-lined road that leads to some of Marin’s tonier homes..

The victim, whose name was not released, apparently tried to drive into the Simon’s garage as he was closing the door. According to police, Simon went in his home, returned with a .357 magnum, fired a warning shot into the air and then two bullets into the victim’s abdomen.

The victim survived, Simon was arrested and we await the story behind the story.

Corte Madera Mayor Michael Lappert, a reserve cop and one of the first officers on the scene (and coincidentally a one-time patient of  Simon’s), summed it up:

It’s a bad thing all around. If there’s anything to learn from this, it’s that road rage can only have a bad ending.”

(Here’s the Marin Magazine piece I did on Simon).


On the Job: Artists in Residence

Jeff Beauchamp

A while back I had the opportunity to photograph a few Marin County painters in their studios and write a short piece for Marin Magazine about the curiosity the artist’s studio holds for most of us who earn our keep in more prosaic ways. This allure is one reason for the success of open-studio events, which allow the general public to wander, glass of chilled Chardonnay in hand, amid the wondrous clutter of these creative spaces.

“We flock to them like curious visitors to a carnival sideshow,” I said. “Oh, see how they live! There are their paints! What whimsical furniture! … the voyeur who lives in all of us?—?the one who surreptitiously peeks into the closets of friends (and don’t we all?)?—?is thrilled by the backstage pass into this normally cloistered corner of the art world. Perhaps the paint-spattered floors will reveal the key to innovation? Maybe the pungent varnishes will awaken dormant inspiration? Could that rack of half-finished canvases spur completion of our own inchoate dreams?”

A bit much? Perhaps. But nosy I am and in search of inspiration as well, so I never pass by the open door of someone else’s studio — especially if I have camera in hand.

Fairfax painter Jeff Beauchamp (above) works out of bland, beige office building whose monochromatic exterior belies the explosions of color on canvas he produces. Jeff won the magazine’s annual cover contest and I photographed him in his studio with his vintage Fender Telecaster, which occupies his hands when his brushes are idle.

The gallery below includes some recent artist portraits, all painters except for  Mill Valley musician Austin de Lone at his keyboard. His story is here. The artists in the order shown are:

Elizabeth Gorek; Georgette Osserman; Kay Carlson; Eric Zener; Sue Averell; Austin de Lone; Jeff Beauchamp.

photocrati gallery