Bookshelf – Foster, Claire Keegan (2022)

To read my notes about Foster would likely take longer than to read the book itself, a bite-sized novella laden with more human insight than many heavily-blurbed behemoths.

Narrated by a teenage girl, never named, but a stand-in for every adolescent enduring the hardships of an unhappy home, the story spans a summer in rural Ireland when the girl is sent to live with distant relatives while her mother prepares to have another baby.

The couple that takes in the girl, John and Edna Kinsella, are farmers, like her own parents, but prosperous, childless, loving and industrious. The girl experiences much that is new to her – a full table, a bathtub to herself, and a father who does not yell at and threaten her but walks with her hand in hand.

A tragedy explains Kinsella’s childless state and their desire to care for the girl. “God help you, child,” Edna whispers to her. “If you were mine, I’d never leave you in a house with strangers.” Betraying their crude baseness, the girl’s parents blame the Kinsellas for the tragedy (while, ironically, asking them to care for their daughter).

The summer is transformative. The girl develops an adult eye, able to divine the differences between the two families. She also rediscovers her childhood, which had been buried under domestic labor and her father’s harshness. Her astute observations keep a story that could have turned maudlin far removed from common emotional tropes.

The ending is both decisive and ambiguous, as all are of life’s messy moments.

A wonderful book. A perfect story.

Bookshelf – Small Things Like These, Claire Keegan

After a run of mediocre reads, I needed a palate cleanser. Claire Keegan obliged with this sparse, compact story of a middle-aged man who, grown weary of the ordinary repetitions of daily life, untethers himself from the norm via an extraordinary act of rebellious compassion.

“Small Things Like These” is thin – a novella, really – so to reveal even a little about the story is almost to say too much: Set in a small Irish town in the mid-1980s, a time of economic grimness, the story centers on Bill Furlong, proprietor of the local coal business. He is a family man with a wife and five daughters. His comforts, while moderate, are leagues from his beginnings as the son of the unwed housekeeper of the town’s wealthiest matron.

As a boy, the matron’s patronage spared him from the harshness of the local Catholic shelters. Years later as a man, he discovers something in such a shelter – for girls – that disturbs him deeply and compels him to confront not only his own complicity in what he sees, but that of the entire town.

I am late to find Keegan, but grateful I did. She crafts savory sentences that linger in the mind, especially when read out loud. Here, for example, is the opening paragraph:

“In October there were yellow trees. Then the clocks went back the hour and the long November winds came in and blew, and stripped the trees bare. In the town of New Ross, chimneys threw out smoke which fell away and drifted off in hairy, drawn-out strings before dispersing along the quays, and soon the River Barrow, dark as stout, swelled up with rain.”

Highly recommended.