Grab Shots: PJ Edition

* From Staffer to Freelance: John Harrington, who writes the Photo Business News blog, points out that all the layoffs in the newspaper business are going to swell the ranks of freelance photographers. He wrote it a while back, but still worth a read.

* More Cuts on the Way: Alan Mutter, former editor and now chronicler of a declining industry, sees more down-sizing ahead “if the industry is to sustain its traditional operating margin,” which, by the way, is still more than 18 percent.

* Silencing the Inner Curmudgeon: When your world is collapsing around you, as it is for many staff photojournalists, it’s easy to let the anger rise and the bile fly. But that doesn’t help you find more work, or learn new skills, or fuel the energy and creativity you’ll need to keep working as a photographer. (I know; I’ve been there on all sides.) If you feel the curmudgeon stirring inside, read Jay Rosen’s post on how to deal with the beast.

* Photoshop, Ethics and the PJ: In my magazine work, I set up a lot of pictures, meaning I arrange the people and control the light in a way pure photojournalists don’t. I also Photoshop the pixels out of an image if I think it makes it snap more. How much of this type or post-shot manipulation has been debated in the PJ community ever since someone first burned the edges of a print. Here’s a good discussion about the topic on SportsShooter, sparked by this original rant and this young photographer’s portfolio.

On the Job: Tourists

Tourists at Golden Gate Bridge

I like tourists. Maybe that is because I like being a tourist myself — seeing new places, talking with people from other cultures, finding wonder and amazement in what the locals consider to be the quotidian.

Here in Marin County, we get tourists — about 13 million a year who arrive by boat, bus and, more frequently of late bike (over the Golden Gate Bridge.) Last month I did a photo story for Marin Magazine about local tourism. I did the usual reporting about numbers and economic impact, but the most fun I had was shooting the tourists.

I photographed about 40 individuals, couples or families, mostly in tourist-heavy locales like the Sausalito waterfront, the Golden Gate Bridge view area or the Marin headlands — people from all over the world: Finland, Turkey, New Zealand. Only one couple said no, a pair of very paranoid Americans who all but shrank when I approached.

The above shot of a cute French couple was the double-truck opener for the piece.

The technique was simple: A 17-55mm on a D2Xs in my right hand, an SB800 with a remote trigger in my left, on quarter or eighth power.

Here’s the whole story. Or go to the jump for the opening anecdote about four fun-loving ladies from Arizona and one’s desire to be frisked.

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David Rabin: A Life in Images

David Rabin, my wife’s father, died recently after a terrible couple of years with Alzheimer’s. He was a doctor, a good father and all-around sweet man. (Here is his obituary in the San Francisco Chronicle.)

Born in 1930, his life spanned a wide range of photographic tools. As I put together a slide show in his honor, I scanned in formal B&W portraits made with a large format camera, yellowing square snapshots made with a Brownie-era box and dozens of 4×6 prints that came from the point-and-shoot cameras of recent years. I even had a few digital files from a few years ago before he got sick.

Photographs, of course, can’t capture the essence of a whole life, but they provide a welcoming taste for those who have lost a friend or a member of their family. The digital revolution has made serving up that taste so much easier that in many ways it has changed the way we mourn.

I’m used Soundslides to create the slide show. Take a look.

Here’s to you, David.

Grab Shots

* Bite Me, I’m an Art Director: Hey, if you’re going to rip off someone else’s cover concept, why not steal from among the best — the New York Times’ T Magazine? T chomped on Coast Magazine after the Orange County publication cloned one of its cover (see left). Cheesy, cheesy, cheesy –even for a food feature. Full story here.

* Quoted! “If I could tell a story in words, I wouldn’t need to lug a camera.” —Lewis Hine.

* Big Pixel Power: Boston.com, the web presence of the Boston Globe newspaper, is serving up mega-size web images of powerful photojournalism. Check out this dramatic shot of the California fires, or this one of a starving Ethiopian woman.

* Shoot a Tornado: The new Nikon D700 apparently takes great weather pictures. (Via Nikon Watch.)

* In a Galaxy Far, Far Away: Brit photographer Steve Schofield crosses the bond to document life in the Queen’s former colony and finds — Americans cross-dressing as Star Wars characters.