Bookshelf – The Trees

Finally, a way to never be disappointed by yet another so-so book: Only read what Percival Everett writes.

A few weeks ago, I gushed over “James,” Everett’s current reimagining of “The Tales of Huckleberry Finn,” this time told from the perspective of Jim, the slave. Seeing my comments in an online book group, someone suggested that “The Trees” was equally terrific.

And it is.

“The Trees” also uses history as a fulcrum, in this case the 1955 murder in Mississippi of 14-year-old Emmett Till, who was tortured, shot and lynched after being falsely accused of flirting with a white woman. Till was one of more than 4,000 Black victims of lynching and other documented acts of racial terrorism that occurred in the United States between the Civil War and World War II. (Read more:

Set in the present day in Money, Mississippi (where Till was killed), “The Trees” begins as a crime story: A white resident, Junior Junior, turns up dead and emasculated in his home. Near his bloody corpse lies the body of a Black man. Both cadavers are hauled to the morgue, but that of the Black man disappears, only to reappear again in similar circumstances.

When the dead won’t stay dead, it’s a mystery enough for the state police to send a pair of Black detectives to Money, where they find a townful of cartoonish Southern crackers, a 105-year-old great-grandmother who has amassed thousands of files about lynchings, and a passing-for-white diner waitress who is hiding more than her skin color.

Little by little, “The Trees” reveals itself to be less of a crime story and more of an artful, incisive indictment of America’s shameful past and of the shameless persistence of racist values disguised as regional culture.

Everett pulls off this impeachment with a mix of violence, sarcasm, caricature, and humor (the latter especially evident in the book’s wonderful dialogues). To say more is to reveal too much, so I’ll end with this: “The Trees” is inventive, entertaining, and enlightening, a virtuoso work that anyone who loves good books should read.

Bookshelf: James, Percival Everett

Some books are so good – and so widely praised – that not much needs to be said about them. James is such a book.

A reimagining of Mark Twain’s “Adventures of Huckleberry Finn” that puts Jim, the runaway slave, at the center of the story instead of Huck, James is a fast-paced, compelling, and moving novel. It is also, because of its clear, descriptive writing and its forceful, focused narration, a rarity, a gem that glistens amid the slag heap of mediocrity that holds most current popular fiction (sequel-driven dross churned out by publishing houses that believe no story can be told too often as long as it turns a buck. End rant.)

I read James in two sittings and had I not needed to sleep (or drink whiskey) I could have finished it in one. The story had me from get-go when Jim code-switches from the shuffling, submissive, yes-suh-ing enslaved man he presents to white folks to, when with other Blacks, an erudite, educated husband and father who reads Voltaire and instructs children in linguistic survival skills.

During one lesson, for example, Jim asks: What do you say if you see a white women’s house on fire:

“Fire, fire,” said one child.

“Direct. And that’s almost correct,” I said.

The youngest of them, lean and tall five-year-old Rachel, said, “Lawdy, missum! Looky dere.”

“Perfect,” I said. “Why is that correct?”

Lizzie raised her hand. “Because we must let the whites be the ones who name the trouble.”

“And why is that,” I asked.

February said, “Because they need to know everything before us. Because they need to name everything.”

More than anything, Jim continues, we need to make sure white people feel good.

“And the better they feel, the safer we are,” says a child.

“February, translate that.”

“Da mo’ betta dey feel, da mo’ safer we be.”

This mechanism of portraying the intellectually free inner being held in chains by the need of his owned outer self to survive is a more powerful and impactful depiction of slavery’s horror than any description of a lashing or a lynching. The latter kills, the former erases a life while it is still in progress – a living death.

There is plenty more to read about James online, and I encourage you to do so. I suggest also you read about Twain and the original book, both its acclaim and its criticism. Of course, I urge you to read “James” itself because more than anything it does what all special books do: it educates while it entertains.