Intersect. To meet and cross at a point. To overlap. To share a common space.
Life consists of intersections, of crisscrossing, of bisecting and squeezing into, onto and through the public commons, bound for or coming from our more private lives.
Street corners are theaters of intersection. There is a daily playbill of drama, comedy, and tragedy – not everyone who ventures off a crowded curb navigates intact to the opposite one. In Oaxaca, the troupe of pedestrians performs to a cacophonous score – the guttural grind of diesel, the bleating grievance of car horns, and the incessant blare of amplified advertisements for cheap eyeglasses, miracle herbs, knock-off denim and dozens of other quotidian products.
With each change of the signal light, a fresh queue of citizen actors strides onto the stage. Their props identify them – mothers laden with infants; students encumbered with bloated backpacks; invitees to weddings or graduations or birthday parties juggling floating balloons and shrink-wrapped gifts; vendors carrying candied apples, bottled water, or plastic bags stuffed with slices of fruit drenched in lime and salsa.
Three things never change: the flow of humanity; the asphalt, lampposts and buildings; and me. I wait in my space. For the intersection, for the overlap, for the crossing of our lives.