* People Who Need People: The New York Times asks the question we’ve all been wondering about: “Can a few snapshots of a baby or a bride, accompanied by a fawning article, really be worth millions of dollars?” Read the whole story about why tab magazines now routinely pay celebs to play (like this cover of Branjelina and child).
* Gulf Twosome: The two shooters atop the current photo how-to heap — David Hobby and Joe McNally — report back from the doings at Gulf Photo Plus. David offers the behind-the-scenes story on this SB800-laden image. Joe calls Dubai “3 parts Vegas, one part planet Tatooine, and 6 parts oil money.
* Photographers Wanted: Want to be a photojournalist? These newspapers are hiring.
* Pitching a Home Run: Rob Haggert (A Photo Editor) tells us how to make winning pitches to photo editors. Rule #1: “The absolute fastest way for photographers to get a story made is to approach a writer that the magazine uses on a regular basis.”
* Jumping the Canon-Nikon Divide: Freelance sports photographer Preston Mack switched from Canon to Nikon when he heard these words from an editor: “The cover image doesn’t look in focus.” Read Mack’s whole tale of learning to love the D3 on Sportsshooter.com.
* Blog I Like: Heather Morton is a Toronto art buyer who often writes about photography on her blog. In this post, she highlights Seattle photographer Lindsay Siu.
* Oh, Miley, We Hardly Knew Ye: Plenty of discussion about the Vanity Fair-Annie Liebowitz kerfluffle. There’s outrage in the Flickr Strobist group, puzzlement over celebrity worship in Utata, and James Danziger at the Year in Pictures makes it official:
“Annie Leibovitz’s work reveals four things: one – she likes to get people to take off as many clothes as possible; two – she loves to photograph skin, loves the different textures and colors; three – she loves to show a family bond and loves to show touch; four – she designs her pictures to cause a reaction. Her work is about making contact on every level. “
* From PJ to Plastic: ReyGuy is a Dallas Morning News photographer and photo editor who indulges his creative side (or sides) with polaroids and Holgas. Here’s his Texas highway sign set.
* Phono-journalism: Live news — a shooting — broadcast from a mobile phone. Jeff Jarvis has the link. Definitions of journalism and photography are continually in flux.
100 Years of Photos: The Melbourne Age, an Australian newspaper, has compiled a Century of Pictures from the paper. Take a look. (Via Rob Galbraith.)
* Martin Gee, a designer at the Mercury News in San Jose, has posted a Flickr gallery of the effect in the newsroom of multiple rounds of layoffs and buyouts. Sad stuff. Empty chairs, discarded computers, blanks walls. (For a good analysis of the latest newsroom census, read Alan Mutter’s explanation of why it’s bunk.)
* A Photo Editor, aka Rob Haggert, has posted the results of his photo talent search. Here’s the Flickr gallery.
* Chase Jarvis says don’t let the internal demons get the best of you:
“At one time or another, we all get sideswiped by that little internal voice. It is that nay-saying voice that’s so often the barrier between each of us and our creativity. Shedding that calculated, censoring voice, is one path to success.”
* My current favorite photographer (that means for today) is Martin Prihoda. Bold lighting, striking portraits. Here’s a behind the scenes video of a band shoot he did.
* Nikon’s new website, Nikkor.com, is live and features the work of photographers who use — what else? — Nikons. Despite the marketing intent of the site, the work it showcases is terrific. Check the images by photojournalist Amy Vitale. (Thanks to Nikon Watch for the tip.)
* Strobist-in-Chief David Hobby points to this portrait of Admiral William J. “Fox” Fallon by photographer Peter Yang for Esquire Magazine. Yang made the photo with one light, a technique, says David, that anyone can attempt regardless of the price of their gear. (Here’s my mimickry of the Peter Yang shot.)
* The protests against China in advance of the Olympics are producing good images. Here is a vigil in San Francisco seen by professionals and an amateur (and in Flickr’s first use of video.)
* The Photoshelter blog, written by Rachel Hulin, has a Q&A with photojournalist Antonin Kratochivl (Iraq, Myanmar and other conflict zones) that includes a wonderful portrait of him by Clay Enos. (Tip from A Photo Editor.)
* Gregory Crewdson sells his set-piece images for up to $100,000 apiece. JPG Magazine spent the day with him on a shoot. Story and photos here.
Good work from around the web:
* Keep an eye on National Geographic’s Week in Photos, a set of some of the best recent photojournalism. The Golden Gate Bridge shot on the left is from this week’s and was shot by John Storey, a former colleague at the Examiner.
* Reuters has a photo blog for its shooters, pictures plus a lot of behind the scenes commentary.
* Getty Images has a blog, too. Here’s a post by Chris Jackson about shooting the royals for 10 days in the Caribbean. Rough life.
* Bryon Houlgrave, a staff photographer for a small paper in Waukesha, Wisc., blogs about this work, which is hella good. See the raging river night shot.
* Photos are where you find them. Here’s a nice feature shot by S.F. Chronicle staff Mike Kepka.
Photojournalism work that caught my eye today:
* Joao Silva in Sadr City for the New York Times. Silva is always in the middle of things. Here is his own website.
* Also in the the Times, the Cat Lady of Switzerland, a textbook example of doing photojournalism with small strobes ala Mr. Strobist.
* This Washington Post gallery of the election in Zimbabwe (10 sec. ad). No. 8 in the gallery is show in this post.
* Correy Perrine of the Nashuah (N.H.) Telegraph shows you can make an extraordinary photograph at an ordinary event such as a teachers’ protest.
*Another good use of small strobes on assignment, an author in a jail cell by Ken Ritchie of the Madison Courier.