{"id":57,"date":"2009-02-24T09:17:59","date_gmt":"2009-02-24T16:17:59","guid":{"rendered":"http:\/\/www.timporter.com\/seconddraft\/?p=57"},"modified":"2009-02-24T09:18:56","modified_gmt":"2009-02-24T16:18:56","slug":"grab-shots-annie-hocks-her-work","status":"publish","type":"post","link":"http:\/\/www.timporter.com\/seconddraft\/?p=57","title":{"rendered":"Grab Shots: Annie Hocks Her Work"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.timporter.com\/images\/seconddraft\/leibovitz.jpg\" align=\"left\" border=\"0\" height=\"235\" hspace=\"4\" vspace=\"4\" width=\"150\" \/><strong> *Pawn My Photos: <\/strong>Annie Leibovitz has hocked all \u201ccopyrights &#8230; photographic negatives &#8230; contract rights\u201d to work (past and future) as well as several pieces of real estate in exchange for a $15.5 million loan from a company called Art Capital Group, essentially an art pawn shop for the well-to-do. In other words, as the New York Times <a href=\"http:\/\/www.nytimes.com\/2009\/02\/24\/arts\/design\/24artloans.html?partner=rss&amp;emc=rss&amp;pagewanted=all\">put it today<\/a>, &#8220;one of the world\u2019s most <a href=\"http:\/\/en.wikipedia.org\/wiki\/Annie_Leibovitz\">successful photographers<\/a> essentially pawned every snap of the shutter she had made or will make until the loans are paid off.&#8221;<\/p>\n<p><strong>* Shooting Annie:<\/strong> Seattle photographer <a href=\"http:\/\/www.keatleyphoto.com\/\">John Keatley<\/a> talks with <a href=\"http:\/\/www.featureshoot.com\/2009\/02\/john-keatley-seattle\/\">Feature Shoot<\/a> about photographing Leibovitz: &#8220;I didn\u2019t want to over think it, or get too worked up so far in advance. So I took a vacation to Mexico!&#8221;<\/p>\n<p><strong>* Making a Difference:<\/strong> Zack Arias produces <a href=\"http:\/\/www.zarias.com\/?p=284\">a video<\/a> for <a href=\"http:\/\/www.scottkelby.com\/blog\/2009\/archives\/3433\">Scott Kelby<\/a> in which he explores how to <a href=\"http:\/\/www.zackarias.com\/#\/client\/template.xml?aaa=home&amp;bbb=\">make his mark<\/a> on &#8220;this massive matter of visual pollution we serve up every day.&#8221;<\/p>\n<p><strong>* Hot Shoe Diaries: <\/strong>That&#8217;s the title of Joe McNally&#8217;s <a href=\"http:\/\/www.joemcnally.com\/blog\/2009\/02\/22\/its-doneits-real\/\">new book<\/a> on shooting with speedlights. Good stuff for those of use who don&#8217;t know everything. Pre-order it <a href=\"http:\/\/www.amazon.com\/Hot-Shoe-Diaries-Creative-Applications\/dp\/0321580141\/ref=br_lf_m_1000152361_1_1_ttl?ie=UTF8&amp;m=ATVPDKIKX0DER&amp;s=books&amp;pf_rd_p=470089131&amp;pf_rd_s=center-2&amp;pf_rd_t=1401&amp;pf_rd_i=1000152361&amp;pf_rd_m=ATVPDKIKX0DER&amp;pf_rd_r=0N828QNWR3VY4S0731AN\">here<\/a>.<\/p>\n<p><strong>* May I Shoot? No!<\/strong> Mary Ellen Mark talks about photographing Marlon Brando on the set of <em>The Missouri Breaks<\/em>. Brando&#8217;s rule, <a href=\"http:\/\/www.laweekly.com\/2009-02-19\/art-books\/seen-behind-the-scene-on-the-set-with-mary-ellen-mark\/1\">she tells LA Weekly<\/a>,  &#8220;was that set photographers must always ask permission before shooting him. Every time. And the answer was always no.&#8221; (Via <a href=\"http:\/\/www.aphotoeditor.com\/2009\/02\/20\/on-the-set-with-mary-ellen-mark\/\">A Photo Editor<\/a>.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>*Pawn My Photos: Annie Leibovitz has hocked all \u201ccopyrights &#8230; photographic negatives &#8230; contract rights\u201d to work (past and future) as well as several pieces of real estate in exchange for a $15.5 million loan from a company called Art &hellip; <a href=\"http:\/\/www.timporter.com\/seconddraft\/?p=57\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[43,54],"tags":[110,52,682,119,118],"class_list":["post-57","post","type-post","status-publish","format-standard","hentry","category-grab-shots","category-photographers","tag-annie-leibovitz","tag-joe-mcnally","tag-mary-ellen-mark","tag-scott-kelby","tag-zack-arias"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Grab Shots: Annie Hocks Her Work - Tim Porter&#039;s Second Draft<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.timporter.com\/seconddraft\/?p=57\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Grab Shots: Annie Hocks Her Work - Tim Porter&#039;s Second Draft\" \/>\n<meta property=\"og:description\" content=\"*Pawn My Photos: Annie Leibovitz has hocked all \u201ccopyrights &#8230; 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