{"id":545,"date":"2012-08-20T16:52:40","date_gmt":"2012-08-20T23:52:40","guid":{"rendered":"http:\/\/www.timporter.com\/seconddraft\/?p=545"},"modified":"2012-08-20T16:55:41","modified_gmt":"2012-08-20T23:55:41","slug":"on-the-job-teaching-and-learning","status":"publish","type":"post","link":"http:\/\/www.timporter.com\/seconddraft\/?p=545","title":{"rendered":"On the Job: Teaching (and Learning)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" title=\"BMX rider on halfpipe\" src=\"http:\/\/www.timporter.com\/images\/seconddraft\/Halfpipe.jpg\" alt=\"\" width=\"600\" height=\"902\" \/><\/p>\n<p>Whenever I teach, as I&#8217;m doing this summer in a <a href=\"http:\/\/theimageflow.com\/workshops\/shooting-whats-moving\/\" target=\"_blank\">short class on action photography<\/a> at <a href=\"http:\/\/theimageflow.com\/\" target=\"_blank\">The Image Flow <\/a>in Mill Valley, <strong>I find two things to be the most challenging<\/strong>: Explaining to others what I do instinctively in a way they understand and not knowing what the students don&#8217;t know.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" style=\"margin: 4px 6px;\" title=\"Blurred runner at Blackie's Pasture in Tiburon\" src=\"http:\/\/www.timporter.com\/images\/seconddraft\/RunnerBlur.jpg\" alt=\"Blurred runner at Blackie's Pasture in Tiburon\" width=\"300\" height=\"403\" \/>The first forces me to think in granular terms <strong>about what I do with the camera &#8212; and why<\/strong>. For example, one student asked me why I usually use ISO 400 as my base setting when most digital cameras have ISO settings lower than that. Well, I answered, somewhat lamely, it&#8217;s because I grew up on <a href=\"http:\/\/en.wikipedia.org\/wiki\/Kodak_Tri-X\" target=\"_blank\">Tri-X, Kodak&#8217;s legendary\u00a0 black-and-white film<\/a>. It had an ASA of 400 and my earliest lessons about light and manual exposure were learned using that number as a base &#8212; and those lessons still work today. In other words, it&#8217;s a habit, albeit one that serves me well.<\/p>\n<p>The <strong>second challenge is more difficult<\/strong>. What each student knows about photography in general and the intricacies of their own camera in particular varies widely.<\/p>\n<p>Most, not surprisingly, came to photography in the digital age and with cameras so advanced and so automatic\u00a0 that <strong>they skipped the need to studdy the basics of photography,<\/strong> so they have a poor understanding of the connections between light and exposure, between shutter speed and aperture, and between focal length and depth of field.<\/p>\n<p>They all have inexpensive lenses that in a short twist of the barrel leap rom wide-angle to telephoto, so they&#8217;ve never had to master the physical art of moving through a scene with prime lenses in order to change the point of view or to get closer to or farther from a subject.<\/p>\n<p>Because of these gaps, each time I attempt to explain something more advanced, such as capturing the fleetness of a runner with a pan or freezing the motion of boy on bike in a half-pipe,<strong> it opens the door to a more basic discussion<\/strong> about the principles behind the technique and where to find the buttons and dials on a particular brand of camera in order to get the technical stuff right.<\/p>\n<p>For this reason, I learn along with my students. I learn about my own habits (good and bad), I learn how different types of cameras work (even their Nikons don&#8217;t function as mine does) and, most importantly, <strong>I learn I need patience in order to succeed<\/strong> &#8212; and that&#8217;s a lesson that applies to photography as well as teaching.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Whenever I teach, as I&#8217;m doing this summer in a short class on action photography at The Image Flow in Mill Valley, I find two things to be the most challenging: Explaining to others what I do instinctively in a &hellip; <a href=\"http:\/\/www.timporter.com\/seconddraft\/?p=545\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[17,6],"tags":[501,499,44,498,486,674,500,484,497],"class_list":["post-545","post","type-post","status-publish","format-standard","hentry","category-on-the-job","category-photography","tag-blackies-pasture","tag-half-pipe","tag-nikon","tag-panning","tag-photographing-action","tag-photography","tag-runner","tag-the-image-flow","tag-tri-x"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>On the Job: Teaching (and Learning) - Tim Porter&#039;s Second Draft<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.timporter.com\/seconddraft\/?p=545\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"On the Job: Teaching (and Learning) - Tim Porter&#039;s Second Draft\" \/>\n<meta property=\"og:description\" content=\"Whenever I teach, as I&#8217;m doing this summer in a short class on action photography at The Image Flow in Mill Valley, I find two things to be the most challenging: Explaining to others what I do instinctively in a &hellip; 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